Wednesday, March 16, 2011

Interested in Mushrooms?

I meant to post this while we were reading Omnivore but only saved it as a draft! Whoops!

If you're really interested in mushrooms and you just happen to have two hours to spare, this is a really wonderful documentary. 

Know Your Mushrooms



Process Writing






I don't remember when I added the sub-head to my blog title that reads "shaking the hand that feeds me," but I’m glad I did. 
That phrase, I just realized, very simply sums up what this course has been for me, both as a writer and as a consumer. 
Before this class, I would have called myself a foodie in the making.  I come from a line of women who love to cook. Everyone in our family loves to eat good food, and does so often.  We’re a family of multiple happy-hours, breakfast AND brunch, and daily home-cooked meals.  My family ties was what really pushed me to take this course. And what hand feeds you more than that of your family? 
  When I wrote my memoir, this came in handy.  I loved calling up my family members to ask them about food and the memories we shared together.  But putting that into words was much more difficult.  Trying to construct memories out of fragments of pictures and words that I’ve stored up somewhere in my mind was nearly impossible. My family says I have false memory syndrome—I think I just remember what they’ve forgotten—so I felt the need to check with everyone to make sure I wasn’t simply making something up.  My desire to remain honest and truthful was my biggest struggle throughout the process.  It was hard to hear classmates say they didn’t like part of my memory, or that they wanted more of something that I couldn’t fully give them because I couldn’t remember what had happened. I had to decide whether to build up the fragments or eliminate them to avoid confusion. 
  The perfect meal prompt was up my alley. I loved that prompt.  The most difficult part was picking out what to make! I had too many options.  I think the most grounding advice I received was to choose something I would be proud of in the end.  I was thinking of all this complicated dishes that I wanted to try out, but when it came down to it, I knew I needed to make the simple dish that I had grown up with, that I would try to be the hand that had once fed me. 
  The other element besides the food that drew me to this course was the journalism.  I grew up wanting to be a writer.  My father was a T.V. journalist throughout my childhood, and I knew I wanted to be just like him. When I made it onto my high school newspaper my sophomore year, I cried in the middle of the hallway between classes—I tend to cry a lot though, I also come from a line of people with weak tear ducts—I was so excited.  I spent countless hours working in the Echo Newspaper Office, working my way up from assistant copy editor to page editor. The newspaper was my life in high school, it was what I loved.  I started looking at colleges with esteemed journalism programs, but ended up deciding that journalism might not be for me and I shouldn’t revolve my decision around one program.  After that, I avoided anything journalism based because I missed it too much.  I was worried I’d get too involved again and then be disappointed. This course was the first time I really got to somewhat delve back into journalism, and I’m so thankful. I loved reading Bourdain, Pollan, Secret Ingredients and Sifton most because of their journalistic natures.  I loved writing the restaurant review because it was the first chance I’ve had in a long time to really explore that type of writing. 
  Tokyo Delve was above all fun. The experience was frightening and uncomfortable, but also a blast. As I was sitting in the decked out bar, I was worried about how I would write the piece. It just seemed like too much to tackle. I jotted down as many notes as I could and hoped for the best.  But when we went back to the hotel room and I began to write, it all flowed out. It was just there. I was worried most about the restaurant review, and in the end, it may have been my favorite one to write. 
Revisiting the pieces for revisions was also a struggle.  There was so much I wanted to keep and so much I knew I needed to change.  My biggest breakthrough came while I was revising my second piece.  I realized that in the original piece, I had been writing only for myself.  I was writing about something personal, and it ended up being more about me than the writer.  At the journalism conference the Index went to in CA, someone told me that you’re not writing for the writer, you’re writing for the audience.  That statement really stuck with me. And that’s what I knew I needed to do for the revisions. Stop writing for myself and start thinking about the reader. 
  At times, it was difficult to share such personal stories and opinions with the class, and to comment on classmates’ thoughts. It was incredibly fun to read everyone’s memoirs and share about our backgrounds and where our history with food stems from, but then we had to think critically about each individuals writing style, their theme and whether it was working.  I really didn’t like commenting on the longer pieces online. It felt so impersonal. I wanted my tone of voice in the comments, and I couldn’t record my suggestions, I just had to type it out.  When I was trying to be constructive, I felt critical. And when I wasn’t constructive, I felt like I was being repetitive, simply re-wording the comments of others before me and wasting time. 
  This writing process has been both enjoyable and challenging. It has made me examine the food I’m eating, where it comes from and why I’ve been eating it.  It has made me look at my meals critically. Why am I eating that? Do I want to be eating that? It has made me thankful for my family and the food I have. It has made me wary of the food industry and thankful for honesty on my labels. It has made me want to shake the hand that feeds me. 

In Review of the Review: Delving into Tokyo

Before heading to North Hollywood, I made some pretty extreme assumptions about what I was going to experience.  I subconsciously set myself up to have the experience I thought I wanted to have. It would be perfect: I would find a place in Hollywood that fit my personality, somewhere that wasn't the tacky, grimy type of place I associated with L.A. 
      I'm still not sure what made me decide to go after that atmosphere. When I was trying to pick out a place to eat, I really struggled.  My memoir and perfect meal choices weren't difficult at all because they were things I knew, things that were familiar and close to me. I guess that's why I thought NoHo would be a good choice for me; an up-and-coming Arts District sounded like something I would want to explore around Kalamazoo or in my home town of Minneapolis, so it would be the same in L.A., right?  Going somewhere that seemed familiar would be comforting, just like my perfect meal and memoir were. 
     Unfortunately, Tokyo Delves was anything but comfortable. 
     From this assignment, I definitely learned about the power of a good or bad review.  From reading Sam Sifton's work, I was still distanced from the reviews. I couldn't afford most of the places he was describing, let alone knew what a lot of the dishes were.  They were beautifully crafted and fun to read, but didn't really leave an impression on me. 
    Before heading over to NoHo, I avoided reviews of the restaurant itself. I thought that would give me too many clues about Tokyo and I wanted to go in with an open mind. Now, having gone, I was really curious to see what other people thought about the place. I couldn't stop laughing as I skimmed through the many stories. 
These reviews are all from Yelp.com where "real people write real reviews": 
"This place is weird! i was pretty creeped out being in there..."
"This place is such a rip off!!"
"This place is only fun if you are loud and obnoxious, and/or you like loud and obnoxious people. When you get a bunch of loud, drunk people in the same room, and have top 40 music blasting, you get a mess of a good time."
"FUN IN A BOX. FUN IN A BOX. FUN IN A BOX!
"I say 5 stars, if you want to eat good sushi in a frat house/insane party atmosphere."
    Even the positive reviews were horrifying.  I can just see frat guys throwing sushi rolls into the air and catching them into their mouths before doing sake-bomb keg-stands. 
    I'm glad I didn't read the reviews before I went. I would have been freaked out before we even got there.  By going with an open-mind, I was able to take in the restaurant for what it was.  But it definitely taught me that it will be extremely beneficial to read reviews in the future.  When I'm abroad, I'm going to want to know what kind of place I'm going to, what the atmosphere is like, what the cost is, what kind of food I'm going to be served.  From going to Tokyo, I've learned how important atmosphere can be. I would have NEVER gone to the bar if I had known what it was going to be like. It was hilarious and a pretty great time, but no one would have been able to convince me to go in there if I had known what was behind those windowless walls. 
   From this assignment I've learned that a review is more than the food and the price, it is both a warning and a suggestion—it is comforting.  It removes our blindfold as customers before we waste $1.50 on subway fare only to be bombarded with raw fish and dynamite sauce. 

Tokyo Delve's Sushi Bar in North Hollywood (sake) Bombs

{For the Dining and Wine section of the New York Times}
HOLLYWOOD, CALIFORNIA.


    Only a ten minute subway ride outside of downtown L.A., North Hollywood—referred to as NoHo by tourists—is a small 'arts district' nestled in San Fernando Valley, an extremely divided, ethnically and socioeconomically diverse region.  Frayed and faded posters boast about the numerous restaurants, playhouses, art galleries and small businesses in the area.  The sidewalks are littered with empty Cheetos bags and weeds poking through the pavement.
    Locals warn tourists to stay downtown, that "there's really nothing to do once you get down there," implying that all the advertisements are a hoax.  But they say if you are going to go, you have to check out the one-and-only Tokyo Delve's Sushi Bar 
  Located on Lankershim Blvd, the busiest street in the district, the bar is easy to pick out. The four imposing 'security guards' manning the entrance wearing all black convey the message that visitors are in for a unique experience as they they usher guests into a red roped-off area against the side of the black, wooden building. Middle-aged women wearing skin-tight, zebra print dresses in an array of colors pull their readjust their bras as they try to keep their balance in their 3” stilettos.
    Foot tattoos and boyfriends in bowling shirts seem to be part of the dress code.
Pigeons and flies swarm around Tokyo's neon sign, eyeing the impatient diners.
    After over a twenty minute wait to get in to the bar, the security guard-bouncers hand out neon-pink wristbands to the diners who could show they are over 21.
They let the groups in individually and gradually. DJ Joe steps outside to greet the patrons  as he lets down the rope barrier.
    As the doors opens, guests are shoved into the bumping dining room, music blasting throughout the empty, windowless space.  Waiters clap and cheer as DJ Joe escorts diners to their tables. The whole scene resembles some sort of exuberant athletic event.  The tables are set up like a high school cafeteria, in cramped rows that are difficult to maneuver unless your hips are actually the size of a sophomore's.
    There is no indication outside of the building that Tokyo Delve is affiliateated with anything Irish, which makes the decor even more shocking.  The wallpaper is made up of 3D shamrocks against a hideous white background, like a lucky-charms themed birthday party gone wrong. With St. Patrick’s Day a week away, the decor is unexpected. However, any frequent diner—the select few—knows that Tokyo is never without a theme. Currently, the restaurant is decked out for the St. Sake Bomb Celebration in honor of the patron saints of Ireland, but April will bring the Shower of the Stars theme, and if guests can hold out until September, the popular Sumo Love Story celebration.
    Behind the emerald splendor, a gargantuan, eye-less shark head thrusts out of the wall. A still disco ball dangles from the ceiling amidst a net of Christmas lights intertwined with Chinese lanterns. The signs along the walls commanding "Kiss our sushi chefs, they're Irish" and "Happy St. Patty's Day" confirmed that the bar is not consistently filled with green, just for this week's festive theme.
    The waiters assume that the visitors will be drinking, offering cocktails and sake before guests are even seated.  Sake bombs abound. Nearly every table comes equipped with a plastic keg and a set of four beer mugs. The waiters, adorned in shamrock green shirts, chant along with the customers as the men bellow and the women screech “I yell sake, you yell bomb, SAKE! BOMB! SAKE! BOMB!” and pound on the table until the porcelain cups tumble into the golden, glass mugs.
    It is impossible to have a conversation at Tokyo. In order to hear each other, everyone is forced to lean into the center of the table and shout over the music and other rowdy guests.
One dismayed customer confided in her table and said she “wants to work in a cubicle.”
Tokyo Delve's menu is impressive in size, but not in selection.  The options are standard and uninteresting with tacky names like dynamite, red ninja and volcano. The menu also indicates that Tokyo specializes in large-group parties, ranging from bachelorette parties to baby showers and break-up parties.
    Every night DJ Joe hosts a birthday dance-off where the individuals who are there celebrating are asked to stand on chairs and dance. Two twin young women wearing matching white, skin-tight, spandex dresses and gold necklaces won the competition, their birthday hats askew and their dresses dangerously close to revealing their unmentionables. One waiter spanked one of the twins after she accepted her prize and DJ Joe admitted that he would “go home and make babies with [his] wife while thinking about [the twins].”
The staff at Tokyo are disrespectful and demanding. The food took over a half an hour to arrive and many guests' drinks were diminished and never re-filled.
    The best think Tokyo has going for them is there performance energy.  The fun-loving chefs interact with the guests, judging the dance contests, talking with the DJ, all while serving up beautifully placed rolls.
    The Rock 'N Roll specialty roll sounds tantalizing with shrimp tempura enveloped in avocado, shredded carrots and rice, smothered with fried onions and sliced jalapenos. After a few sake bombs, it might possibly look professional. The chef scattered golden brown onions around the plate and served the rolls leaning against each other in a domino affect. The shrimp tempura is difficult to find, it is surrounded by so much excess rice. The star of the roll is, sadly, the jalapneno. The spiciness overpowers the rest of the roll until it is nearly inedible. The combination of the avocado, onion and pepper leave no room for the shrimp to shine.
    The Yummy Yummy Roll is just as disappointing. Made with a creamy combination of avocado and cream cheese wrapped in rice, the dish sounds like it could be a scrumptious vegetarian option. However, the dish promises salmon, and barely delivers. There is no actual fish inside the roll. On top, the chefs adorn the roll with ground salmon and a ‘dynamite’ sauce that leaves you thinking “ow” instead of “POW!” The roll itself is mushy and falls apart easily.
    A mid-meal chicken dance is an unwanted interruption for some diners as waiters scamper around from table to table pulling resistant guests out of their seats, encouraging them to participate. One waiter even lifted the chair out from under a guest.  The group YMCA sessions retracted from the experience, making it seem even more forced and uncomfortable.  The waiters also did more dancing than serving, breaking out into several flash-mob style performances, including one to N*SYNC's Bye Bye Bye, climaxing with DJ Joe appearing shirtless wearing a fake, plastic 8-pack strapped to his chest before getting groped by the female diners who were within reach.
    If guests can find a way to avoid the demanding wait staff, they might be able to take a bite of their food before their tempura turns to sponge instead of the intended crunch.
    The Tempura California Roll is listed as a staff favorite on the menu, and for obvious reasons. The traditional, local role is reasonably priced and tasty, if you're looking for the fast-food equivalent to sushi. It makes sense that the rambunctious diners at Tokyo would enjoy the 'cooked' roll because what goes better with a keg of beer than fried balls? If guests are looking to pair their beer with a roll of sushi, this is the way to go. But if you're looking for a fresh bite of sushi, you’re a fish out of water.
    The vegetarian roll should be removed from the menu immediately. The chefs at Tokyo should be embarrassed to offer the item on the menu. Made up of a bulky head of broccoli, carrots and avocado, the roll is bland and unimaginative. It appears that the chefs merely found a 90s veggie tray and wrapped it wrapped in over-cooked rice. Even dipping it in the house spicy mayo—squeezed from a ketchup bottle—doesn’t give the roll enough flavor to be considered enjoyable.
    The only dish that diverges from the gaudy menu is the nigirizushi. A delicate piece of orange-pink fish placed perfectly across a bed of white rice bring aesthetrelief to the table. The downfall of the dish is that along with the two generous pieces of salmon sushi comes a lone lemon wedge. It is unclear if the lemon is meant to be squeezed over the fish or if it is merely on the plate for presentation.  If the chefs thought they were doing a service to diners, they were disappointedly mistaken.  Tokyo muddled the preciously simple dish.
    If diners flail their arms enough—not during the Y.M.C.A. number, of course—they might be able to wave down their server and receive their over-priced bill. After dining at the bar, it is clear that at Tokyo, guests are paying for more than a meal, they are paying for a performance. A sloppy, drunken, brazen performance.  




FAIR
Tokyo Delves Sushi Bar 5239 Lankershim Blvd. North Hollywood CA. 1.818.766.3868
ATMOSPHERE Like an adult Chucky Cheese with pizza replaced by Sushi and games replaced with Sake Bombs and grinding.
SOUND LEVEL Unbearably loud. Nearly impossible to maintain a conversation
RECOMMENDED DISHES Edamame, Salmon sushi.
WINE LIST Non-existant. Cocktails and Sake-Bombs are popular.
PRICE RANGE Appetizers, $4-$10; entrees, $7 to $24.
HOURS Mon-Thurs, Sunday 6:00pm-12:00am, Fri. & Sat. 21+, 2 hour shows at 6, 8 & 10:30pm
RESERVATIONS Recommended. They will take walk ins for smaller parties.
CREDIT CARDS No split charges.
WHEELCHAIR ACCESS Accessible, however, it would be extremely difficult to maneuver between the tables.

Sunday, March 6, 2011

Tokyo Delve's Sushi Bar in North Hollywood (sake) Bombs

You don't have to enter the Tokyo Delve's Sushi Bar to know you're in for more than just fish.
    The four imposing 'security guards' manning the entrance wearing all black convey the message that visitors are in for a unique experience as they they usher guests into a red roped-off area against the side of the black, wooden building. Middle-aged women wearing skin-tight, zebra print dresses in an array of colors pull their readjust their bras as they try to keep their balance in their 3” stilettos.
    Foot tattoos and boyfriends in bowling shirts seem to be part of the dress code.
    Pigeons and flies swarm around Tokyo's neon sign, eyeing the impatient diners.
   After over a twenty minute wait to get in to the bar, the security guard-bouncers hand out neon-pink wristbands to the diners who could show they are over 21.
    They let the groups in individually and gradually. DJ Joe steps outside to greet the patrons  as he lets down the rope barrier.
   As the doors opens, guests are shoved into the bumping dining room, music blasting throughout the empty space.  Waiters clap and cheer as DJ Joe escorts diners to their tables. The whole scene resembles some sort of exuberant athletic event.  The tables are set up like a high school cafeteria, in cramped rows that are difficult to maneuver unless your hips are actually the size of a sophomore's.
   There is no indication outside of the building that Tokyo Delve is affiliateated with anything Irish, which makes the decor even more shocking.  The wallpaper is made up of 3D shamrocks against a hideous white background, like a lucky-charms themed birthday party gone wrong.  
    A gargantuan, eye-less shark head thrusts out of the wall. A still disco ball dangles from the ceiling amidst a net of Christmas lights intertwined with Chinese lanterns. The signs along the walls commanding "Kiss our sushi chefs, they're Irish" and "Happy St. Patty's Day" confirmed that the bar is not consistently filled with green, just for this week's festive theme.
    The waiters assume that the visitors will be drinking, offering cocktails and sake before guests are even seated.  Sake bombs abound. Nearly every table comes equipped with a plastic keg and a set of four beer mugs. The waiters, adorned in shamrock green shirts, chant along with the customers as the men bellow and the women screech “I yell sake, you yell bomb, SAKE! BOMB! SAKE! BOMB!” and pound on the table until the porcelain cups tumble into the golden, glass mugs.
    It is impossible to have a conversation at Tokyo. In order to hear each other, everyone is forced to lean into the center of the table and shout over the music and other rowdy guests.
    One dismayed customer confided in her table and said she “wants to work in a cubicle.”
    Tokyo Delve's menu is impressive in size, but not in selection.  The options are standard and uninteresting with tacky names like dynamite, red ninja and volcano. The menu also indicates that Tokyo specializes in large-group parties, ranging from bachelorette parties to baby showers and break-up parties.
    Every night DJ Joe hosts a birthday dance-off where the individuals who are there celebrating are asked to stand on chairs and dance. Two twin young women wearing matching white, skin-tight, spandex dresses and gold necklaces won the competition, their birthday hats askew and their dresses dangerously close to revealing their unmentionables. One waiter spanked one of the twins after she accepted her prize and DJ Joe admitted that he would “go home and make babies with [his] wife while thinking about [the twins].”
    The staff at Tokyo are disrespectful and demanding. The food took over a half an hour to arrive and many guests' drinks were diminished and never re-filled.
   The best think Tokyo has going for them is there presentation.  The fun-loving chefs interact with the guests, judging the dance contests, talking with the DJ, all while serving up beautifully placed rolls.
   The Rock 'N Roll specialty roll sounds tantalizing with shrimp tempura enveloped in avocado, carrots and rice, smothered with fried onions and sliced jalapenos. The presentation was lovely. The chef scattered golden brown onions around the plate and served the rolls leaning against each other in a domino affect. Alas the visual appeal was the only positive element of the dish. The roll itself was almost a third rice and the shrimp tempura was barely visible. The star of the roll was the jalapneno, although not in a good way. The spiciness was overpowering to the point of being inedible. The combination of the avocado, onion and pepper left no room for the shrimp to shine.
   The Yummy Yummy Roll was just as disappointing. Made with a creamy combination of avocado and cream cheese wrapped in rice, the dish sounds like it could be a scrumptious vegetarian option. However, the dish promises salmon, and barely delivers. There is no actual fish inside the roll. On top, the chefs adorn the roll with ground salmon and dynamite sauce. The roll itself was slightly mushy and fell apart easily. It was not filling and left little to the imagination.
    The Tempura California Roll was said listed as a favorite on the menu, and for obvious reasons. The traditional, local role is reasonably priced and tasty, if you're into the equivalent of fast-food sushi. It makes sense that the guests at Tokyo would enjoy the 'cooked' roll because what goes better with a keg of beer than fried things? If guests are looking to pair their beer with a roll of sushi, this is the way to go. But if you're looking for a fresh bite of fish, stay away.
   The vegetarian roll should be removed from the menu immediately. The chefs at Tokyo should be embarrassed to offer the item on the menu. Made up of a bulky head of broccoli, carrots and avocado, the roll was bland and unimaginative. It tasted like a bad 90s veggie tray wrapped in mushy rice. Even dipping it in the house spicy mayo didn't give the roll enough flavor to be considered enjoyable.
  The salmon sushi was by far the best part of the meal. A delicate piece of orange-pink fish placed perfectly across a bed of white rice was both aesthetically appealing and delectable. The confusing aspect of the dish was that along with the two generous pieces of sushi was a lemon wedge. I'm not sure if the lemon was for an edible purpose or mere presentation.  However, I have never seen lemon presented alongside sushi and did not enjoy consuming the two together.  Tokyo muddled the preciously simple dish.
   A mid-meal chicken dance is an unwanted interruption for some diners as waiters scamper around from table to table pulling resistant guests out of their seats, encouraging them to participate. One waiter even lifted the chair out from under a guest.  The group YMCA sessions retracted from the experience, making it seem even more forced and uncomfortable.  The waiters also did more dancing than serving, breaking out into several flash-mob style performances, including one to N*SYNC's Bye Bye Bye, climaxing with DJ Joe appearing shirtless wearing a fake, plastic 8-pack strapped to his chest before getting groped by the female diners who were within reach.


FAIR
Tokyo Delves Sushi Bar 5239 Lankershim Blvd. North Hollywood CA. 1.818.766.3868
ATMOSPHERE Like an adult Chucky Cheese with pizza replaced by Sushi and games replaced with Sake Bombs and grinding.
SOUND LEVEL Unbearably loud. Nearly impossible to maintain a conversation
RECOMMENDED DISHES Edamame, Salmon sushi.
WINE LIST Non-existant. Cocktails and Sake-Bombs are popular.
PRICE RANGE Appetizers, $4-$10; entrees, $7 to $24.
HOURS Mon-Thurs, Sunday 6:00pm-12:00am, Fri. & Sat. 21+, 2 hour shows at 6, 8 & 10:30pm
RESERVATIONS Recommended. They will take walk ins for smaller parties.
CREDIT CARDS No split charges.
WHEELCHAIR ACCESS Accessible, however, it would be extremely difficult to maneuver between the tables.




Saturday, March 5, 2011

Welcome to the land of fame excess (and sex?) am I gonna fit in?


I’ve been to Hollywood once when I was fourteen. We were on our way back from a short trip in Northern California visiting some family friends.  We drove through majestic redwoods, convinced my younger sister that clam chowder was actually made with chicken—which she devoured in seconds—and played “who can find the most banana slugs” as we walked along the lush paths surrounding the forested house. It was a great trip. 
And then we decided to head south through San Francisco and into L.A. for before we flew out of LAX.  My sister and I were pretty excited to go to the land of the movie stars.  We wanted to go where it was warm and where we might run into Hillary Duff and let her know how she should totally get with Gordo and leave that stupid Ethan guy with his nice-looking hair.
But what we found in Hollywood was not the blue skies and fame we expected but smog and litter. The plastic looking palm trees couldn’t compare to the entrancing redwoods.  Instead of Hillary Duff, we found a 7ft tall Michael Jackson impersonator who tapped me on the shoulder and made me almost pee my pants on the Walk of Fame. We saw the top of Ryan Secrest’s spikey head over a crowd of hundreds of people as he introduced a guest star at his daily show. We went on a ‘Tour of the Stars’ bus ride were we were chauffeured around the house-covered hillside looking at the walls and gates behind which celebrities allegedly lived. In retrospect, I feel like it may have all been bullshit.  
I was extremely disappointed in LA. The only thing I got out of it was a postcard of Leonardo DiCapprio.  
When I found out I had the opportunity to travel to LA for a national college journalism convention hosted by the Associated Collegiate Press, I was pretty pumped, but didn’t think it would happen.  I had way too much to do and didn’t think I could afford to miss a day of all three of my classes.  But somehow, we got funding from Student Involvement and StuComm and were able to have free travel and lodging. 
After getting in the car at 3:40am, driving to Grand Rapids, getting on the smallest airplane I have ever been on in my life, a three hour layover in Texas where I accidentally ordered the ‘healthy’ bagel sandwich—why would the assume that just because I want spinach and mushrooms, I automatically want egg whites and a ‘flat’ bagle?—followed by a 2 hour trip on the biggest plane I’ve ever been on, we landed in LA, 11 hours after we departed. 
So far it has been fun, but it’s been the same LA I remember from my childhood: loud, pretty tacky, hyper-americanized, flashy and has surprise smells of bacon-covered kilbasa with roasted peppers mixed with soiled hamster cages.  I’m not anti-LA, I’m just not a fan. It’s too much for me. And while the food has been good, it has also been over-priced and kind of pretentious in my opinion.  
So I decided to venture out of the heart of LA and see if I could find some redemption for Hollywood.  After some internet browsing I found something that sounded intriguing: NoHo. The one mile North Hollywood Art District sounded progressive and lively with over 20 different theater venues, countless art galleries and a large handful of ethnic, up-and-coming restaurants. It was only an eleven minute subway ride away from our hotel and we have six hours to spend tomorrow before we have to catch our 10:15pm shuttle back to the airport. I figured we could explore the area, check out the shops, and go to a Sushi place called Tokio Delves Sushi bar.  The NoHo website said the lively bar always has a line out the door it is so popular.  And sushi is the only time I let myself indulge in meat, and I do so very rarely.  Why not on vacation, right? 
So maybe NoHo will redeem my feelings about the plastic-filth of LA.  And maybe it won’t. Either way, exploring an area we new very little about while getting some good food sounded like a good time to me. 

Thursday, March 3, 2011

To Use or to Not Use Chopsticks


   "I see tourism as a universal human impulse—curiosity and an adventurous spirit are facets of personality that are shaped in their expression by the ethos and institutions of specific cultures, but the impulse itself is not dependent upon particular historical circumstances. Food is an arena in which that impulse can be exercised regardless of the institutionalized practices of tourism" (Long 7). 

    Epcot. Did anyone else keep coming back to the Disney theme park while reading this piece?? I could NOT get it out of my head. My family used to visit my aging great grandmother at her retirement home in florida over winter breaks. As a reward from lutefisk, lox and that sterile perfume smell, we would get to go to Disney World as a reward. The ultimate place wasn’t Animal Kingdom or Magic Kingdom. It had to be Epcot.
    We would spend the entire day strolling along the brick streets, the giant golf ball in the foreground enriching our lives with the cultural splendor of the place. French fries in France, Bratwurst and beer in Germany, a lamb and lentil dish in Morocco, churros in Mexico, all circling the manmade lake in the center, bobbing with manmade plastic ‘docks’ where fireworks would later be launched.
    I loved Epcot. I really really did. Going into 
the giant ‘aztecan temple’ in ‘Mexico’ and looking at all the ‘art’ before going on the “It’s a Small World After All” ride? Priceless.
    But I had never really thought of myself as tourist before reading this Lucy M. Long’s Culinary tourism. Especially when I wasn’t traveling. Sure, as a kid I couldn’t get enough of Florida and the Mall of America, but that was a faze and now I had matured. I fought my parents when they suggested we take a cruise instead of a ‘real’ vacation, I would insist we go to the markets instead of the food-courts when we were on trips, and I prided myself on ordering Pad See Ewe—Thai level hot—when I was out for Thai food with friends while they all ordered Pad Thai, mild
    But Long makes a very strong case to say that I am what she calls a existential, experimental and experiential tourist, tourists who "will insist on eating with chopsticks to demonstrate their competence of the other's food behaviors." I do this consistently. Sometimes I'll order the spiciest level on the menu just to prove I can handle it. I love trying out new dishes at 'ethnic' restaurants and I'm not very understanding when people order kung pao chicken or spaghetti at authentic chinese and Italian places respectively. 
   As I read through that section on page 68, I was feeling pretty snug, until she got to the but. She claims that sometimes, these 'daring' individuals are merely asserting their competence rather than take some risks (68). I'm still not sure how to deal with both her conflicting ideals. 

     There was one portion of the text that I found hard to believe. In the first chapter, Long talks about the “categories of otherness” foodways and makes the claim that gender and age are not as significant as the others (Long 31).  I see how the lines of the categories are blurred, however, I have to disagree with Long.  When it comes to marketing and intentional tourism, I think children and women are HUGE targets for companies and restaurants. I think about Epcot and how they are obviously advertising specifically to children and mothers. Kids! Eat a lot of junk food AND hug Mickey! Mom’s! Go to a theme park that will be entertaining for your children AND teach them about ‘diversity’ and ‘different cultures.’  Or infomercials for tubs of edible, sculptable goo that no child could ever resist. Or Luna bars. If you look at the packaging on a Luna bar you can see how feminine the advertising is, and how they are definitely targeting women hard, saying they are for women and aesthetically pleasing to women. I think Long didn't have a strong enough base for her argument here. 
    In Long's final chapter on the authenticity of ethnic restaurants in the US and Thai restaurants in particular, I think the connection between her chapter and the article on ethnic foods entering the restaurant strip mall sphere of the Midwest was undeniable.  I had never thought to think critically about thai places and their authenticity. But Long made some incredibly observant claims about the restaurants—especially with her brief mention of American broccoli verses Asian broccoli, it blew my mind when I found that out. From her description of the decor to the menu set-up to the staff, Long observes the line between the authentic and the inauthentic that I had never even thought to question. 


Side Note: When I was in Scotland with my family when I was fifteen, we loved eating the different flavors of Walker's Crisps (smokey bacon, roast chicken, cheese and onion, tomato ketchup) until we found this flavor and got freaked out. Authentic? 

Perfect Meal Revision


“Honey, I swear to god I wrote this out in ’96,” my mother sighed over the phone, digging an old slip of paper out of her recipe folder. 
“You found it?” I asked. 
“Yeah, it’s here. I can’t believe it! It’s a sign, you know? Now you have to make it.”
I had frantically called my mother Thursday night to ask for advice.  I had been assigned a paper a few weeks before where I was asked to make my perfect meal.  At first I had thought this would be a great opportunity.  Living with six other students in an on-campus house can get pretty stressful pretty fast. Kitchen time is coveted, and this assignment would give me the chance to kick my housemates out of the kitchen for an entire evening! And, in my opinion, a perfect meal wouldn’t have a budget, giving me
a reason to buy expensive ingredients that I knew I couldn’t afford.  For just one meal, I would refuse to feel guilty about spoiling myself. I would turn my shitty, spaghetti-sauce covered kitchen into a place where I could feel good about where I was and what I was eating.
My mom began cooking when she was in college.  As the mother-figure in her sorority house, she would send her friends to the grocery store with a list of all the ingredients she wanted for the week. They would pay for everything, and in return she would cook them all homemade pastas, hearty soups and delicate salads. 
In my house in Kalamazoo, things are much different.  We all have different appetites, different palates and different schedules.  I like to eat late, around 9—which is when I usually sit down to eat with my family at home—the rest of the house likes to eat early, about 6-ish, except for Ryan who likes to eat all the time, constantly taking over the kitchen with his whole wheat flour, wheat germ, protein powder and fat free hot-dogs he cooks over the fire, making the whole house smell like burnt mystery meat. 
At my home in Minnesota, I sit at the granite counter snipping the ends off of green beans and sipping wine as my mom whisks together a vinaigrette.  We talk about our days and rutabagas as we cook.  When my mother makes dinner, it’s an event.  There’s James Taylor and Carole King playing in the background, a fire in the fireplace, flowers on the counter, and my father steps in for a dance every now and then. I knew that was what I wanted, that sense of home and simplicity, here, in Kalamazoo where meals were usually rushed and frustrating. 
I called my mother because I couldn’t decide and because we hadn’t spoken in over two days, way longer than maternally acceptable.
“I think I should make breakfast. Eggs benedict or something. I’ve never made hollandaise or poached an egg on my own before.”
“Meh.”
“What’s that supposed to mean?”
“That’s not your perfect meal, Hannah.”
“I love eggs benedict Mom. You know that.”
“Yeah, but it’s not what you’ll feel proud of later.” 
“You don’t know me,” I responded, knowing that she was undeniably right. 
“Han. Make mushroom risotto.  You’ve never made it all on your own.  And you’ll remember how to make it for the rest of your life. And there is absolutely no way you can feel bad after eating risotto. Especially if you throw in a wad of butter at the very end like the Italians do.”
It was perfectly obvious. Mushroom Risotto was my perfect meal as a child, before I became a vegetarian. And now that meat was off the table, I found a lot of comfort eating it with my family, one of the only meatless-meals my parents and younger sister loved eating as much as any meat-based dish. 
My mom first made mushroom risotto when she was in her early 30s, when I was just five.  She wrote the recipe down from her Italian sister-in-law, Zinni, who assured her it was the way real Italians made it.  Serendipitously, my mother found the piece of paper she had written the recipe down on fifteen years ago.  
“I’ll scan it to you. You won’t understand my directions, it’s in the short-hand I use for all my recipes. But I’ll explain it to you.”
I thanked my mom and went to bed happy that I had made a decision, and hungry for the delicious dish I had craved consistently as a child. I resolved that I would make the dinner for my housemates the following night, and fell asleep dreaming of little button mushrooms that would soon be dancing in my belly. 
I woke up Friday morning with my throat throbbing and my nose dripping with mucous.—
I’m not going to lie, I shamelessly cried about it. I think I was just worn out.  I had been organizing a big poetry event on my college campus and I had been getting very little sleep to keep up with my homework and my social life. 
Two of my empathetic housemates witnessed my breakdown and took pity on me.  Max and Emily insisted that they stop by the local People’s Food Co-op for the majority of the ingredients and the nearby one-stop giant grocery store Meijer for the parsley and fresh mushrooms when they went to get their weekly groceries.  They didn’t let me resist their kindness.  Max wrote down my list of ingredients while Emily made me some tea. 
As they drove off, I drifted off to sleep for the next six hours, hoping I would wake up somewhat revived. 
***
Sunday was a beautiful day in Kalamazoo, and the perfect day to make my perfect meal. I had recuperated from Friday’s sudden sickness, the poetry event I had organized had gone well and I was on a high from all the beautiful sunlight coming through my house’s windows.  I had invited all my housemates to my meal, knowing that Ryan would disapprove of all the butter and cream, the other Hannah wouldn’t be able to make it because of dance, and that Renjie never made it home before 2am anyway, so it would just be Max, Emily and Melissa. 
Before the actually cooking started, I had to set the scene just how I wanted it.  Our perpetually dirty kitchen had to be clean if this was going to be my perfect meal.  So I set out scrubbing down the stove, tackling the giant pile of dishes in and next to the sink, sweeping the floors and putting away the dry dishes.  My mother has similar, sometimes obsessive habits, cleaning the kitchen before our cleaning lady, Dasha, arrives and always opening the window a smidgen before she begins to cook. I also couldn’t start making my perfect meal without opening the small kitchen window a  crack, grabbing a handful of berry scented candles and some music to play in the background. 
I wanted that. I wanted to be at home with her while I cooked.
I lit the candles, turned on some music, poured myself a small glass of boxed wine and started to cook.
It turns out risotto is a lot harder than I remember as a kid. The ingredients are simple: arborio rice, unsalted butter, olive oil, a large onion, wine, chicken broth—which I substituted with mushroom broth—white wine, cream, Parmigiano-Reggiano, a little bit of parsley, dried porcinis and fresh mushrooms.  But the process is rough.  
“Risotto is always the same, except for the liquids and how you finish it,” I remembered my mother telling me as I sauteed the chopped onion in the butter and olive oil in my housemate’s beautiful red pot. I added the plump rice and coated it in the buttery mixture.  I slowly poured in the white wine and stirred the golden-mixture for several minutes. I started to get anxious. 
The liquids need to be hot when you add them to the risotto, that’s key. That’s where the patience comes in.  I had started heating the mushroom broth, but I didn’t know if it was quite hot enough.  The risotto was supposed to stay just short of boiling.  I hesitantly added a cup of the broth to the rice.  I was shocked at how quickly the rice absorbed the liquid.  I constantly stirred the rice with one hand while the other scooped the almost-boiling liquid into the pot. 
I set down my wooden spoon on the counter and saw the unopened package fo porcinis. I had forgotten to reconstitute the mushrooms! They needed to boil in water for twenty minutes in order to be ready to add to the risotto. As I reached for a new pot, three of my housemates walked in to the house. 
The sun was setting and my candles were not sufficient lighting.  I reluctantly switched on the fluorescent lights I hated so much. I have nightmares with bad lighting.  I felt my mother’s perfect atmosphere slipping away from me as Max started stirring my rice, Emily danced to the music, and Ryan stared at his chili heating up in the microwave.
“Guys, I’m sorry to be a bitch, but I really need you all to leave the kitchen.”
I felt horrible. I couldn’t add the liquid fast enough, I had been rude to my housemates, and I was getting sweaty from all the stress. 
But suddenly, as the others retreated to their corners of the house, the risotto started tasting right.  It was slightly creamy, yet a bit al-dente, just like I remembered it.  I was getting close. 
I pulled the barnacle-esq porcini mushrooms off of the burner, strained them, and gave them a rough chop. I added some of the leftover liquid to the risotto like my mother instructed and was feeling much better. 
I had forgotten to saute the fresh mushrooms. 
I was so disappointed.  As I watched the fresh mushrooms saute into beautiful brown clumps, I felt my risotto going from that perfect al-dente to a mushy, sticky consistency. 
Pissed, sweaty and hungry, I added the mushrooms, cream, grated cheese, salt, pepper and parsley to the pot, threw in a clump of butter for good measure, and called my housemates down for dinner, embarrassed by what I was serving them. I wanted them to taste my childhood and I was certain this wasn’t going to be it. 
I set the table with some lovely Michigan tulips I had bought from my favorite local coffee shop, Waterstreet Coffee Joint and lit some candles on the table.  I pulled the golden rustic bread out of the oven that was also baked and purchased from Waterstreet and we sat down to eat.  
As Max, Emily and Melissa ladled heaps of risotto onto their plates, I started passing the bread.  
They all thanked me for inviting them and I shrugged, hoping it was edible. I wondered what I would tell mom about my failed attempt.  I absentmindedly took a bite of the mush. 
It may not have looked like my mothers, but it sure tasted like it. 
It was just as creamy, just as mushroom-filled as I remembered it. I had been freaked out for no reason, and my friends seemed to be  enjoying it.  It was then I realized how silly I had been.  In search of my perfect meal, I was searching for my mother, for my perception of perfection, something I now know I cannot achieve.  But what I did found was friends who care enough about me to buy my groceries for me when I’m sick, who get out of the kitchen when I ask them to, who put up with my silly love of good-lighting, and who take the time out of their day to eat my mush of a meal. 
We laughed throughout dinner, finishing all the bread and all of our piles of risotto.  As the meal ended, we turned up the volume on my speakers and danced in our living room until our stomachs hurt from too much cream and just enough laughter. 
The next day was Valentines day.  I got a text from a friend saying I had a package in the mail center. It was a Valentine from my mother. Inside was a package and a plastic bag full of dried morel mushrooms and a card that read, “For next time.”