My father doesn’t cook, he mixes. While my mother braises, butchers and broils, my father fetches the white wine from the basement and pours it into glasses filled with a few ice cubes. He can grill, fry and scramble, but he can’t set a table properly. He does the dishes and takes out the trash, but when it comes to daily family meals, he does the prep work and the clean up, but tends to back away from the actual execution.
When my mother used to go out of town for business meetings, the task of feeding my sister and me fell on my dad. This meant one of three things: take-out from Kings Wok, the sketchy chinese place that uses oil as a sauce, baked zitti from the nearby Sbarro, smothered in cheese and breadcrumbs, crispy on the top from sitting under the heat-lamps all afternoon, or he would try and scrounge something together.
My father has a repertoire of things he ‘dabbles’ in in the kitchen. He can grill—that’s his thing. Kebobs, grilled corn, smoked salmon, he’s got that down. And he can make some mean eggs. He never breaks a yoke that isn’t meant to be broken. But those are his only real comfort zones. When it comes to cooking for me and my sister, he had several go-tos. Simple spaghetti, noodles stuck together because they were overcooked, Jack’s Original frozen pizza with extra shredded cheddar sprinkled on top, and—it makes me cringe now to think of them—those horrible ‘Kid Cuisines,’ the pre-portioned frozen meals that came in the fun blue trays and always had a fun, colorful desert in one of the quadrants.
Our favorite mom-is-out-of-town-so-now-we-can-eat-what-we-want meal was my dad’s veal parmigiana. And by my dad’s, I mean he put it together. They came in a kit that had the breaded veal cutlets, a plastic-wrapped package of sauce, a few slices of mozzarella and partially-cooked linguini. All my dad had to do was stack the ingredients on top of each other and bake them for
several minutes. My sister and I would gobble those down like nobody’s business, getting sauce stuck on the corners of our mouths.
One evening, my overly-curious six-year-old sister asked my father what ‘veal’ meant. I kept chewing on the chunk in my mouth while my father kept washing a spatula over the sink. My nine-year-old self had never thought about what veal was, I guess I just figured it was chicken. My mom had ordered chicken parmigiana at restaurants before, and I assumed veal was the kid version or something.
My father turned around from the sink with the sponge still in his hand, suds dripping down his wrists. My sister slurped a noodle up off of her fork.
“Veal is cow, girls,” he said.
“Why don’t they call in cow parmigiana then, daddy?” Mara asked.
“Well, because it’s a special kind of cow sweetie.”
“What kind of cow?”
“Baby cow.”
My sister instantly started to cry. I didn’t really get it. The veal didn’t taste like a baby. It tasted like meat. Baby meat must taste different.
“Why’d they make us eat the babies, dad?” my sister sobbed.
“Because it tastes better, Mara. Don’t you like it?” dad said.
“Not anymore!”
I remembered my favorite scene in one of my favorite movies, the live-action Madeline, where the girls realize they’ve eaten their beloved chicken, Helen. They girls decide to be ‘vegetablearians’ and chant chicken noises at the top of their lungs before Miss Clavel calms them down.
After dinner, my sister and I kept calling ourselves vegetablearians and waited eagerly for my mother to come home so we could tell her the news. Needless to say, our new stance against meat infuriated my mother and put my father straight into the dog-house.
My memories of my father’s cooking exploits tend to involve microwaves, lots of carbs, cheese and a lot of laughter. Leftover smörgåsbords and kraft mac and cheese in front of the television followed by tickle fights. But its not the food that I find myself missing now that I’m far from home, its those spray-milk-of-your-nose moments that we always seemed to have.
Now that I can cook for myself, I rarely eat my father’s meals when I’m home on breaks. The only food we make together is on ramdom, lazy, sun-soaked sunday mornings when we both find ourselves with time we didn’t know we had. I sit at the kitchen counter in my pajamas, my legs dangling off the edge of the stool while my father gathers the ingredients: Manischewitz Everything Matzo, a few eggs, a bowl filled about half-way with luke-warm water and some salt and pepper.
Now, matzo brei is definitely an acquired taste. My mother and sister can’t stand it. Most people I’ve met don’t like to eat matzo brei. They have to eat it over Passover, a Jewish holy day, when their options are limited. Once you’ve had or heard of matzo brei, you understand why its not something most people drool over.
The dish consists of soggy matzo crackers scrambled with eggs. That’s it. I’ve heard that some people doctor it up, but really, simple matzo brei is best. My dad would let me break and soak the matzo, letting the cracker fragments bob up and down in the bowl of water, getting murky from all the salt salt. My dad whisks the eggs up with a fork, a skill that I always admired as a kid. I could never get my wrist to move that fast, and whenever I tried I would always spill the yolky mixture on the counter.
Once the matzo is almost-mushy and the eggs are sufficiently scrambled, they both would go into a heated pan on the stove with a distinct sizzle sound as they his the scalding metal. I’ve tried to make the traditional Jewish dish on my own, but I can never scramble it just right. My dad has just the right amount of patience to get it golden and just a little crisp on the edges.
When the brei is finished, we sit together at the counter and eat. It tastes like bland, over-salted scrambled eggs, the most distinct flavor coming from the garlic and poppy on the everything matzo. Its not as good as my mother's brioche french toast or even my own breakfast concoctions. But there's something about sitting with my father at the kitchen table, just the two of us, eating the food his mother made him as a child.
Hannah,
ReplyDeleteI thought the rough draft for your memoir piece was so sweet and touching! From this piece and the others on your blog, it's obvious that you are a very talented writer. I really liked how you set up the piece and incorporated both imagery and dialogue making the scenes come alive.
My favorite part was definitely the veal conflict. I could practically see the scenario playing out in my head: your sister's tears, your dad's oh crap! face, your mom's "he's in the dog house" face. Although I was expecting some comment from you sister such as "That's like eating Bambi!" I thought you did a great job at portraying how traumatizing the whole situation was.
I also think you did a great job with your descriptions. The adjectives you used when describing the meals your dad scrounged together were hilarious and well-chosen. If you haven't shared this piece with your dad already, you may want to consider doing so. I think he'd be touched.
My main suggestion for your piece is to keep a central focus. I felt like the second half steered off topic a bit, and at times was a little hard to follow. Perhaps if you let readers know from the beginning that you're going to talk about more than one thing in your memoir, we will understand and be prepared for the change of direction.
Overall, I really enjoyed your piece. I think you're a great writer and this piece has a lot of potential!
I love the picture you paint of your dad--he definitely contributes in the kitchen but also has his limitations and sometimes needs the help of frozen dinners.
ReplyDeleteThe part where you learned what veal is made of was HILARIOUS! Your poor dad! I also loved your Madeline reference--I watched it all the time when I was little and had a vivid flashback when you described the "Chicken Helen" scene. Did you stay a "vegetablearian" after that time? Or did you go back to eating meat for a while?
Your piece has a nice balance of being relatable and conveying unique scenes within your own home. You fuse food description and memory together so well--I guess the only thing I find myself wanting is a description of place. Which I guess in this case would be your home.
Oh, and how did you learn to cook for yourself? Was it mostly from observation? Did your mom/dad teach you?
Hannah,
ReplyDeleteI really liked your piece. It's very personal yet I can really relate to it. I think you have a great start! You did a good job of really giving us an image of what was happening. My only suggestion would be to maybe make the transition into the Matzo brei a little smoother. But you have an awesome start!
Elaine! I was thinking the same thing! It might work well to stop at pepper, I thought... or bridge the shift in a different way... maybe just because you delve into a different topic with such ambition, Hannah, it seems like it doesn't fit there? But I'm sure you could make it fit.
ReplyDeleteI can hear you reading this, which is probably a good thing too, right? You have a great, distinct voice and the details and child's-perspective portions of this work only supplement that.
Your Madeline part got me thinking about the best ways to incorporate other media into a work of writing (particularly comparing your piece to Stealing Buddha's Dinnner) and I liked that you gave us the background and the picture, etc. etc. It seemed much more reasonable and I could relate. (Even though I guess I did know what you were talking about. I Love Madeline. ...and Pepito, too.)
Another thing was your description of Kraft dinners and box dinners? I wished you had gone into that a little bit more, or meshed your sections about frozen-y foods together... I remember the same things, and I think it'd be really interesting to hear more about your views of them as a child (compared to now?) [I remember being pretty envious of lunchables--because I liked the compartmentalization of them, I think.--just didn't understand when my mom explained that they were gross.]
I like your pictures a lot, too~ Good work with the layout!
Hannah, I enjoyed this so much. As Kelsey said, I can hear you reading this piece--the voice you create is both consistent and easily read. I envy the ease with which you transition so smoothly between narrative and dialogue.
ReplyDeleteYou make the overarching theme readily apparent throughout your description of the various cooking slash eating situations. Each circumstance blends together simply, with the common factor being your dad's place in the kitchen.
The ways in which you tie in common familiarities are great, from Sbarro's crusty pasta to Kid Cuisine to the horror of the moment when a kid finds out the truth about veal. Oh, and Madeline, too!
In terms of editing: I desired at times a bit more description of place. There were key places throughout where you did this well, for example when you say, "I sit at the kitchen counter in my pajamas, my legs dangling off the edge of the stool while my father gathers the ingredients..." I can see your pajama-clad legs dangling, and it adds a lot to the story. The inclusion of more moments like these would be great. Also, I think you meant "spray-milk-OUT-of-your-nose" in the paragraph where you describe your memories.
Your post was both enjoyable to read and look at! Excellent work, Hannah.
This is really sweet Hannah, and was a joy to read. One thing I heard all the time last year in my creative non-fiction writing class was "show, don't tell." I find this extremely hard to do when I write about people I am close to. You did a great job of this in your memoir. The relationship you have with your father is seen in you memories that "involve microwaves, lots of carbs, cheese and a lot of laughter. Leftover smörgåsbords and kraft mac and cheese in front of the television followed by tickle fights." You don't need to say you love your father, we already see it in your writing.
ReplyDeleteThe scene where you discover what veal is made me laugh out loud. It reminded me of a child finding out Santa doesn't exist, only more traumatizing (at least for your sister!) This was really fun to read, nice job!
Eeeeeew, Kid Cuisines. Those are one of my worst memories of childhood. You do a wonderful job or remaining candid and an engaging narrator while providing great dialogue and description of food and locations.
ReplyDeleteThe scene with your father at the sink is great. Your description of his movements around the kitchen and sink cement us in the physical scene while we get a lot of dialogue from you, your sister and your father.
You also do a great job introducing and characterizing your father. The first couple of paragraphs set up the rest of the piece's focus on meals with your father very well.
I agree with the rocky transitions comments a couple of other people have made. Even though the transitions are a little abrupt I think that the whole piece flows really well together with a common theme and subject.
Hannah,
ReplyDeleteAnother awesome piece! I was reminded of my Mom’s cooking. It was very similar to your Dad’s, and my younger sister and I learned to fend for ourselves very early in life to avoid stuck together noodles of mac-n-cheese!
I think I might reference his matzo talent in the beginning of the piece, that way, we have an idea of how it will end. The ending is great, but it was unexpected. Maybe that’s what you were going for! I do think it might help the flow a bit to make note of his “one talent in the kitchen” or something much more clever. ;)
I might make the sentence, “But its not the food that I find myself missing now that I’m far from home, its those spray-milk-of-your-nose moments that we always seemed to have,” into two sentences. Maybe - Instead it’s those spray-milk-out-of-your-nose moments that we always seemed to have. Of course, it’s just a suggestion!
Like the sentence above, so super easy fixes can be made by just a quick proof-read. A few double or missing words here and there, nothing too distracting!
Again, great work!
Ditto, Max: Kid Cuisines are yucky but we all have them at some point! Maybe not. I loved this piece, partly because I love when anybody talks about their family. I could really relate to this piece, not only because this is exactly what my dad is like, but because you describe things with such detail that I feel like I understand how you feel in these moments. I agree with what people have been saying before me: you paint a beautiful portrait of your dad here. And everyone flows so nicely. Your relationship with your dad is so centered on food--even gross kid cuisines--and it's brings you two together. I love stories like this. I agree though that your transition into matzo brei could be smoother. You have all of these intimate descriptions of your dad, with food thrown in the mix, and then this comes and it feels sudden, even though you mention the matzo in the paragraph before. For some reason, this description seemed less intimate than the other food experiences you mention, of course until the very end when you talk about sitting with your dad at the table.
ReplyDeleteGreat job! I really enjoyed reading this.
I love, love, loved reading this. As Gabriella and Kelsey said, I could hear you reading this, your voice came through well. Blah, blah, blah, repeat, repeat, repeat, your transition into matzo was rough, and although I'm sure you could make it all work, I'd encourage you to think hard about whether or not matzo should really have a place in your memoir, or at least as big of one.
ReplyDeleteI'm so glad that your dad didn't lie to you and your sister about what veal is! I was so scared that he would tell you something different to keep you two calm; kudos to him! I think this scene is especially interesting considering your vegetarianism nowadays.
Has your dad's cooking style changed at all over the years? Is he the same cook today as he was back then? That might be fun to include.
Overall, delicious work, Daly!
I'll resist the temptation to defend my cooking skills, or lack thereof, and simply say, "I love this -- and you, Honey." Smiling for ear-ear, Dad
ReplyDelete