Sunday, March 6, 2011

Tokyo Delve's Sushi Bar in North Hollywood (sake) Bombs

You don't have to enter the Tokyo Delve's Sushi Bar to know you're in for more than just fish.
    The four imposing 'security guards' manning the entrance wearing all black convey the message that visitors are in for a unique experience as they they usher guests into a red roped-off area against the side of the black, wooden building. Middle-aged women wearing skin-tight, zebra print dresses in an array of colors pull their readjust their bras as they try to keep their balance in their 3” stilettos.
    Foot tattoos and boyfriends in bowling shirts seem to be part of the dress code.
    Pigeons and flies swarm around Tokyo's neon sign, eyeing the impatient diners.
   After over a twenty minute wait to get in to the bar, the security guard-bouncers hand out neon-pink wristbands to the diners who could show they are over 21.
    They let the groups in individually and gradually. DJ Joe steps outside to greet the patrons  as he lets down the rope barrier.
   As the doors opens, guests are shoved into the bumping dining room, music blasting throughout the empty space.  Waiters clap and cheer as DJ Joe escorts diners to their tables. The whole scene resembles some sort of exuberant athletic event.  The tables are set up like a high school cafeteria, in cramped rows that are difficult to maneuver unless your hips are actually the size of a sophomore's.
   There is no indication outside of the building that Tokyo Delve is affiliateated with anything Irish, which makes the decor even more shocking.  The wallpaper is made up of 3D shamrocks against a hideous white background, like a lucky-charms themed birthday party gone wrong.  
    A gargantuan, eye-less shark head thrusts out of the wall. A still disco ball dangles from the ceiling amidst a net of Christmas lights intertwined with Chinese lanterns. The signs along the walls commanding "Kiss our sushi chefs, they're Irish" and "Happy St. Patty's Day" confirmed that the bar is not consistently filled with green, just for this week's festive theme.
    The waiters assume that the visitors will be drinking, offering cocktails and sake before guests are even seated.  Sake bombs abound. Nearly every table comes equipped with a plastic keg and a set of four beer mugs. The waiters, adorned in shamrock green shirts, chant along with the customers as the men bellow and the women screech “I yell sake, you yell bomb, SAKE! BOMB! SAKE! BOMB!” and pound on the table until the porcelain cups tumble into the golden, glass mugs.
    It is impossible to have a conversation at Tokyo. In order to hear each other, everyone is forced to lean into the center of the table and shout over the music and other rowdy guests.
    One dismayed customer confided in her table and said she “wants to work in a cubicle.”
    Tokyo Delve's menu is impressive in size, but not in selection.  The options are standard and uninteresting with tacky names like dynamite, red ninja and volcano. The menu also indicates that Tokyo specializes in large-group parties, ranging from bachelorette parties to baby showers and break-up parties.
    Every night DJ Joe hosts a birthday dance-off where the individuals who are there celebrating are asked to stand on chairs and dance. Two twin young women wearing matching white, skin-tight, spandex dresses and gold necklaces won the competition, their birthday hats askew and their dresses dangerously close to revealing their unmentionables. One waiter spanked one of the twins after she accepted her prize and DJ Joe admitted that he would “go home and make babies with [his] wife while thinking about [the twins].”
    The staff at Tokyo are disrespectful and demanding. The food took over a half an hour to arrive and many guests' drinks were diminished and never re-filled.
   The best think Tokyo has going for them is there presentation.  The fun-loving chefs interact with the guests, judging the dance contests, talking with the DJ, all while serving up beautifully placed rolls.
   The Rock 'N Roll specialty roll sounds tantalizing with shrimp tempura enveloped in avocado, carrots and rice, smothered with fried onions and sliced jalapenos. The presentation was lovely. The chef scattered golden brown onions around the plate and served the rolls leaning against each other in a domino affect. Alas the visual appeal was the only positive element of the dish. The roll itself was almost a third rice and the shrimp tempura was barely visible. The star of the roll was the jalapneno, although not in a good way. The spiciness was overpowering to the point of being inedible. The combination of the avocado, onion and pepper left no room for the shrimp to shine.
   The Yummy Yummy Roll was just as disappointing. Made with a creamy combination of avocado and cream cheese wrapped in rice, the dish sounds like it could be a scrumptious vegetarian option. However, the dish promises salmon, and barely delivers. There is no actual fish inside the roll. On top, the chefs adorn the roll with ground salmon and dynamite sauce. The roll itself was slightly mushy and fell apart easily. It was not filling and left little to the imagination.
    The Tempura California Roll was said listed as a favorite on the menu, and for obvious reasons. The traditional, local role is reasonably priced and tasty, if you're into the equivalent of fast-food sushi. It makes sense that the guests at Tokyo would enjoy the 'cooked' roll because what goes better with a keg of beer than fried things? If guests are looking to pair their beer with a roll of sushi, this is the way to go. But if you're looking for a fresh bite of fish, stay away.
   The vegetarian roll should be removed from the menu immediately. The chefs at Tokyo should be embarrassed to offer the item on the menu. Made up of a bulky head of broccoli, carrots and avocado, the roll was bland and unimaginative. It tasted like a bad 90s veggie tray wrapped in mushy rice. Even dipping it in the house spicy mayo didn't give the roll enough flavor to be considered enjoyable.
  The salmon sushi was by far the best part of the meal. A delicate piece of orange-pink fish placed perfectly across a bed of white rice was both aesthetically appealing and delectable. The confusing aspect of the dish was that along with the two generous pieces of sushi was a lemon wedge. I'm not sure if the lemon was for an edible purpose or mere presentation.  However, I have never seen lemon presented alongside sushi and did not enjoy consuming the two together.  Tokyo muddled the preciously simple dish.
   A mid-meal chicken dance is an unwanted interruption for some diners as waiters scamper around from table to table pulling resistant guests out of their seats, encouraging them to participate. One waiter even lifted the chair out from under a guest.  The group YMCA sessions retracted from the experience, making it seem even more forced and uncomfortable.  The waiters also did more dancing than serving, breaking out into several flash-mob style performances, including one to N*SYNC's Bye Bye Bye, climaxing with DJ Joe appearing shirtless wearing a fake, plastic 8-pack strapped to his chest before getting groped by the female diners who were within reach.


FAIR
Tokyo Delves Sushi Bar 5239 Lankershim Blvd. North Hollywood CA. 1.818.766.3868
ATMOSPHERE Like an adult Chucky Cheese with pizza replaced by Sushi and games replaced with Sake Bombs and grinding.
SOUND LEVEL Unbearably loud. Nearly impossible to maintain a conversation
RECOMMENDED DISHES Edamame, Salmon sushi.
WINE LIST Non-existant. Cocktails and Sake-Bombs are popular.
PRICE RANGE Appetizers, $4-$10; entrees, $7 to $24.
HOURS Mon-Thurs, Sunday 6:00pm-12:00am, Fri. & Sat. 21+, 2 hour shows at 6, 8 & 10:30pm
RESERVATIONS Recommended. They will take walk ins for smaller parties.
CREDIT CARDS No split charges.
WHEELCHAIR ACCESS Accessible, however, it would be extremely difficult to maneuver between the tables.




13 comments:

  1. This comment has been removed by the author.

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  2. "ATMOSPHERE Like an adult Chucky Cheese with pizza replaced by Sushi and games replaced with Sake Bombs and grinding." (& menu slapping--in front of children.) Love it.

    So much discomfort. There were so many sensory details at this place, and you did a good job painting a picture, I think. I would add details about the black lights & how that adds an
    overwhelming element? You tie everything into an overall experience, which is an impressive aspect of your writing when you're trying to convey that you were experiencing so Much. It flows well.

    I would maybe add something about the older people that were there too... and the gift shop/register area? Team dance numbers. The waiter's dancing on a scale from 1-10...
    & in your logistics area: something about the minimum $12 purchase. (...and how it would be difficult for somebody in a wheelchair to stand up and dance on it.)

    You make it clear that the food is irrelevant, which I think is really the most important element of this piece... Overall, you describe and assess this with balance and an official tone.

    I'll be interested to see if people get the vibe of this place from your piece, (because I'm biased), but I think they will.

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  3. Hannah,
    I loved reading your piece! How cool that you were in California to do your assignment. No fair! I really enjoyed your descriptions of the atmosphere and overall "experience" of eating at this restaurant. You give your readers solid, vivid images to fixate on that make your review memorable and real. After our in-class discussion on Thursday (which I think you missed) and our reading from Culinary Tourism, I'd be interested to see you bring the idea of "authenticity" into this piece. I think it could provide an interesting dynamic and source of tension should you wish to go in that direction. I think this is a great start, Hannah. You definitely have a lot of material here!!

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  4. Like Alaina said, great imagery and concrete details about the location and the food. You can really picture the insanity. Good flow throughout the piece as well. The beginning also works really well. It draws the reader in and keeps them interested with all those crazy details.

    It seems like you shift between two voices in this piece. One of them is in the past tense and is recalling your specific experience at the restaurant and one is in the present and generalizes more about the restaurant. It's a little jarring to switch back and forth between them. I think that picking and sticking to either the generalizing reviewer or the person who is telling us about their specific experience will work better.

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  5. Hannah,

    I was laughing out loud for most of this piece! I love your descriptions of the diners and the crazy lucky-charms party gone wrong atmosphere within "Tokyo." I like that you, as Sifton did in his review of Kenmare, spend the first half of the piece talking about everything but the food--which was barely edible anyway.

    I notice that once you started describing the food, you change from present to past tense. I really liked the high energy and immediateness of your descriptions in present tense, so you might want to change the tense of the food descriptions. I'm also curious to read your conclusion to this piece--so much potential for even more humor!

    I know it hints at location in the title and in the end "evaluation" part of your piece, but I kind of wanted to say that it is in California, and maybe even describe the kind of neighborhood or city in which it is located

    Great first draft! Really hilarious!

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  6. Well, Hannah, I think I've got a good idea of the insanity that encompassed your visit to Tokyo Delve Sushi Bar. Even the name is too much--I think you did a good job in giving the reader a sense of how many different things were going on, of the fact that the food was not the focus. Your descriptions are vivid and hilarious. This is definitely an entertaining piece to read.

    I agree with Max in that you have two different voices going on here. I don't know if you consciously made the shift from reviewer voice to the use of the more personal 'I,' but I think you should go back and make it uniform. I personally enjoyed your reviewer voice and thought you did an excellent job coming across as authoritative and believable, despite the madness going on around you.

    I think the way you structured the piece works well--starting out with the description of the ridiculous atmosphere and then moving toward the eating of the food, and then back to the craziness. In terms of an ending, it's already pretty clear how you feel about the place. As opposed to wrapping things up nicely, you could just end on a final riotous image that leaves us with a lasting impression of the place.

    You've got so much material here, Han, and a great piece of writing. It won't take much to polish it all up.

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  7. Wowza. I am officially never going to this restaurant. Amazing details and great descriptive imagery!! I literally felt like I was there among the hilarity. Your voice stays constant and is woven into the piece, we can really get a sense of what the narrator is like.
    I also loved that you ended with the New York Times review caption, your voice was strong here as well. This piece is very opinionated, and it really works here.
    Use of tense would be the only I would point out as something to fix -- just a matter of going back in and changing past to present or present to past.
    This is such a wonderful draft, Hannah! Amazing work!

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  8. Hannah, this was so fun to read! Wow, what an experience. Your descriptions of the restaurant are very strong, from the shamrocks on the walls to the disco ball and christmas lights, I think I get a good image of the place, but it also sounds so crazy that I it's hard to believe the image I have of the place is correct. I can't wait to see pictures! It's hard to believe there are restaurants like this, with DJ's yelling out inappropriate jokes and waiters pulling people out of chairs to dance. Sounds like a nightmare. And to top it off the food wasn't even good. Your voice is very strong in this and you made it very fun and interesting to read. In class we talked about how a critic is doing a service to the public, and I think you definitely did us all a great service by warning us about this place!
    Really nice job!

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  9. Great beginning! Where are we? I liked your unique descriptions like ‘exuberant athletic event’ and ‘unmentionables’. High school references are helpful! I could totally visual this. Awesome comparisons, giving us a reference for everything!I’m glad you were able to add dialogue to your piece. You do a great job of putting yourself into the review with your voice without really being there in first person. Eww fast food sushi! I would never eat sushi here! I would like some visual description of these waiters, I'm visualizing those male dancers who wear suspenders and policeman hats and carry a boom box to dance to. Great start!

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  10. Wow, you certainly convey how awkward this place is. The stongest part of this piece is that it could easily be seen as just nagging, but the voice delivers it in such a way that you can tell it's mainly making fun of itwithout being mean.

    It's obvious that this is a negative review, but I do think it would hit harder if it kicked off more positively and then you deliver the "but"

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  11. Hannah,

    Oh my goodness! I’m so sorry, do I need to say anything else?! I hope from the bottom of my heart that this was not your first experience with sushi, because there are so many beautiful, QUIET, places that serve amazing rolls!

    Your descriptions of the restaurant were phenomenal. Kelsey had told me a bit about the experience, and I couldn’t wait to read both of your reviews. I felt the discomfort she described throughout your piece, really awesome work!

    Your review reminded me of Sifton’s bad review Marin read us in class, entertaining, with great examples. What I think could add to your piece is a bit of his technique though. You could put more in about the type of people who would enjoy this scene. You already do a pretty great job of this, but even a little more on the positive-for-someone-else side might perfect this awful review!

    Again, wonderful job!

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  12. This is by far the craziest restaurant i've ever heard of. Irish+Sushi just seems over the top. XD you do a good job of outlining whats going on, and touching on all the issues and what things it gets right. i especially like that you tell which sushi to avoid.

    Overall, i do think you should perhaps add a bit more of a But situation to it, i got the feel it would be a negative review from the start.

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  13. What is the age requirement to enter? Can you be 19 to enter?

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